Toi Pāho Screen-sector Capability and Development Plan
Te Wao Nui o Toi is a report created by Toi Mai Workforce Development Council. It conveys industry views on addressing the acute shortage of skilled below-the-line production workers in Toi Pāho: defined for the purposes of the report as the film, television and interactive media industries.
The report findings in Te Wao Nui o Toi were developed from August to December 2022 through consultation with:
- over 75 industry experts, students, academics, training providers, employees, contractors, industry advocates and studio executives;
- an industry scan of 42 data reports, surveys, strategy reports; and
- a targeted survey of 60 Toi Pāho employers and 337 individual workers.
Participants highlighted challenges in attracting, training and developing Toi Pāho employees, including:
- limited knowledge among people outside Toi Pāho about below-the-line roles and career opportunities available,
- limited understanding of the value of creative and technology careers, particularly within Māori and underserved communities,
- poorly defined and unsupported Toi Pāho career pathways at secondary school level,
- significant disconnect between the capabilities of Toi Pāho graduates and where the industry needs them,
- limited capacity for industry to provide skilled workers to train and support newcomers,
- scarcity of short-form courses to allow rapid upskilling to meet industry demands,
- non-standard workplace training and the absence of an industry-wide training body,
- minimal visibility on medium to long-term Toi Pāho capability requirements, and
- lack of policy to incentivise worker conditions and skills development.
To address these and other challenges, the report recommends better alignment between below-the-line workforce needs and vocational training and education, initiatives to make Toi Pāho careers more attractive/accessible and increased collaboration across education, government, and industry.
Toi Pāho industry members and education providers are invited to give feedback on the report's goals and recommendations, and highlight ways these may be achieved. The consultation period ends on 10 April 2023.
Feedback will inform the final recommendations and advice to the Tertiary Education Commission for investing in vocational education and training for Toi Pāho careers, and The Ministry of Business, Innovation and Employment for its support of the sector. An action plan and roadmap will be created to align industry and workforce training to 2032.
Have your say on what Toi Pāho needs to build a thriving and sustainable workforce
Te Wao Nui o Toi - download the full report
Report summary - includes the strategic goals and recommendations.
Complete the feedback form - please note the closing date is 10 April 2023.
Watch the Toi Pāho webinar - includes presentation on the strategic goals and recommendations (video is also available below).
#ToiPāho - share your thoughts on Facebook, Instagram, LinkedIn or Twitter and include #toipāho to help spread the word. Don't forget to tag Toi Mai in your posts/stories, so we can re-share on to our platforms and encourage others to take part in the consultation.
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Kia pua i te hua | Strategic goals and recommendations
It is important to acknowledge industry work already underway to address the workforce challenges faced by Toi Pāho. It’s now the Government’s turn to step up and back the industry on its quest to build a thriving and sustainable Toi Pāho workforce.
Hei puanga hua tuatahi: Te whakaawetanga hei pūhou
Strategic goal 1: Inspiration for a new-generation Toi PāhoRecommendation 1: Tertiary Education Commission (TEC) to fund, and Toi Mai to coordinate, initiatives that make below-the-line screen careers visible and attractive to rangatahi Māori whānau, hapū and iwi, and reflect the diversity of underserved communities, including Māori, Pacific peoples, Asian, migrant communities, LGBTQIA+, women, tangata whaikaha and neurodiverse people.
Recommendation 2: TEC and the Ministry of Business, Innovation and Employment (MBIE) to fund targeted campaigns that celebrate success, promote the value of creative and technical initiative and enable people to ‘see themselves’ in Toi Pāho roles.
Recommendation 3: TEC and MBIE to fund and Toi Mai to coordinate the design of a campaign to attract talent from adjacent industries.
Hei puanga hua tuarua: Hei taunga manu hāereere
Strategic goal 2: Accessible and equitable Toi Pāho opportunitiesRecommendation 4: Government agencies to support initiatives that connect rangatahi Māori, whānau, hapū, iwi and underserved communities with creative and technology roles in screen.
Recommendation 5: Toi Mai to endorse work-based learning initiatives that create positive industry environments where diverse voices can thrive.
Hei puanga hua tuatoru: Te wao hei akomanga, te matarau hei akoranga
Strategic goal 3: Relevant training and support delivered by providers and industryRecommendation 6: TEC to direct funding to programmes that align closely with industry and industry requirements.
Recommendation 7: Toi Mai to endorse and TEC to fund targeted training that supports underserved communities to build Toi Pāho careers.
Recommendation 8: TEC to widen its criteria for provider funding to include pilot funding for non-NZQCF (New Zealand Qualifications and Credentials Framework) listed, industry-defined and delivered short-form courses and stackable micro-credentials that are flexible, nimble and meet immediate industry needs.
Hei puanga hua tuawhā: Mahi tahi
Strategic goal 4: Mahi tahiRecommendation 9: Industry, Toi Mai, TEC and MBIE to investigate the potential merits of, and help define the purpose of, the nascent initiative towards creating an Industry Training Body for Toi Pāho.
Recommendation 10: Toi Mai to work with industry towards establishing a medium- and long-term workforce capability pipeline.
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Ngā whakamānawatanga | Acknowledgements
Toi Mai would like to thank the many industry representatives across the motu from film, television and game development studios, training providers, employers, employees, contractors and industry advocates whose honest and open feedback enabled us to gain compelling insights so that together, we can shape a better future for the industry and the people of Aotearoa.
We would also like to acknowledge and express our gratitude to the Assurity Consulting Design and Innovation team, Anton Matthews and our Toi Mai whānau for the significant role they played in bringing this important kaupapa to life – ngā mihi nui.
Te Wao Nui o Toi is a result of genuine mahi tahi and we are indebted to your generosity of time and spirit throughout.
Industry reference group members
Megan Blackwell, Pan-Asian Screen Collective
Vanessa Byrnes Unitec/Te Pūkenga
Dale Corlett, New Zealand Film Commission Te Tumu Whakaata Taonga
Lisa Endersby, Regional Film Offices of New Zealand
Cameron Harland, Irirangi Te Motu NZ On Air
Matt Horrocks, Screen Auckland
Blake Ihimaera, Te Māngai Pāho
Todd Karehana, Film-maker
Jon Kirk, South Seas Film School Campus - Yoobee College of Creative Innovation
Anna Middleton, Wētā FX
Tim Ponting, Centre Of Digital Excellence (CODE)
Chelsea Rapp, NZ Game Developers Association
Lanita Ririnui, Ngā Aho Whakaari/Māori in Screen
Samson Samasoni, Pacific Producer, PISA (the Pacific Islands Screen Artists group)
Robyn Scott-Vincent, Disabilities in Screen / Attitude Pictures
Ness Simons, Screen Production and Development Association (SPADA) / The Screen Industry Guild of Aotearoa New Zealand
Research participants
Rachel Antony, Greenstone TV
Megan Blackwell, Pan-Asian Screen Collective (PASC)
Nicci Boucher, Producer
Tim Bourne, CerebralFix
James Brookes, Department of Post
Bayley Broome-Peake, Director of Photography
Jo Carkeek, Whakaata Māori / Māori Television
Adrian Clarke, University of Canterbury (UC) / Te Whare Wānanga o Waitaha
Amber Clotworthy, TVNZ
Annie Collins, Directors and Editors Guild of Aotearoa New Zealand (DEGANZ)
Kylie Croft, Greenstone TV
Victoria Dabbs, Firefly
Philly de Lacey, Screentime New Zealand
Antony Deaker, Enterprise Dunedin
Brendan Donovan, University of Auckland / Waipapa Taumata Rau
Lisa Endersby, Tātaki Auckland Unlimited
Kristy Grant, Lane Street Studios
Wena Harawira, Whakaata Māori / Māori Television
Jon Kirk, South Seas Film School Campus - Yoobee College of Creative Innovation
Stephen Knightly, RocketWerkz
Shuchi Kothari, Pan-Asian Screen Collective
Kelly Lucas, Screen Industry Guild of Aotearoa New Zealand
Casey Lucas-Quaid, Dinosaur Polo Club
Suzette Major, SAE Creative Media Institute
Kahurangi Maxwell, Arataua Media
Grae Meek, Writer / Director (film)
Jess Millar, Wētā FX
Jasmine Millet, Screen Auckland
Dan Millward, Gamefroot
Chey Milne, Arataua
Maru Nihoniho, Metia
Vee Pendergrast, Centre Of Digital Excellence (CODE)
Chelsea Rapp, NZ Game Developers Association
Samson Samasoni, PISA (the Pacific Islands Screen Artists group)
Robyn Scott-Vincent, Attitude Pictures
Ness Simmons, Screen Production and Development Association (SPADA)
Emma Slade, Firefly
Marg Slater, Slater Films
Kaarin Slevin, Toi Whakaari / New Zealand Drama School
Morgan Leigh Stewart, Producer
Andrew Szusterman, South Pacific Pictures
Taikawa Tamati-Elliffe, Centre Of Digital Excellence (CODE), Ngāti Gaming
Jeremia Tauamiti, Writer / Director
Hori Te Ariki Mataki, Ariki Creative
Lee Timutimu, Arataki Systems
Bella-Wai Tipene, Greenstone TV
Stallone Vaiaoga-Ioasa, Film Director and Founder of PISA (the Pacific Islands Screen Artists group)
Eloise Veber, Proud Voices On Screen
Patricia Watson, Women in Film and Television Inc (WIFT NZ)
Alix Whittaker, Candlelit Pictures
Julian Wilcox, Māori broadcaster / Director (television)
Kereama Wright, Aukaha
Brigitte Yorke, Associate Producer (film)
Collaborators
Marcus Bailey, Glimpse Photography
Anton Matthews, Hustle Education
Graham Tipene, Te Wheke Moko Design Studio
Assurity Consulting
(Design and Innovation team)
Melissa Helyer-Akhara
Simon Holbrook
Sanjiv Menon
Thomas Nye
Akshay Rao
Angela Roper
Simon Rycroft
Carol Soundy
Courtney van Beek
Toi Mai Workforce Development Council — Project team
Gavin Bryce, Te Whatu Ohooho / Senior Policy Advisor
Tama Kirikiri, Poumatua
Claire Robinson, Te Tumu o Toi / Chief Executive
Nihal Sohanpal, Te Whatu Rarau / Data Analyst
Jeannette Troon, Mata Herehere / Relationship Manager
Toi Mai Workforce Development Council — Contributors
Tinaka Birch, Mata Herehere / Relationship Manager
Graeme Cowie, Te Pā Whakatupu / Vocational Pathways Advisor
Tim Croft, Mata Herehere / Relationship Manager
Mary-Jane Duffy, Te Ringa Hanga / Qualifications Development Facilitator
Dawson Marama Feagai, Mata Herehere / Relationship Manager
Sasha Gibb, Mata Herehere / Relationship Manager
Moana Hamilton-Neville, Te Paā Tū / Equity Advisor
Sharleen Hewson, Te Ringa Hāngai / Quality Assurance Specialist
Stephen Lai, Te Whatu Rarau / Data Analyst
Teara Leaupepe Timoteo, Te Pā Rere Hua / Communication and Marketing Lead
Ngarongoa Lentfer, Te Ringa Hanga / Qualifications Development Facilitator
Laarni Mandap, Te Whatu Hura / Research Analyst
Mark Ormsby, Poururuku Rāngai Pārekareka / GM Industry Engagement
Daniel Payne, Mata Herehere / Relationship Manager
Jenni Pethig, Poururuku Rāngai Ringa Tohu / GM Qualifications and Assurance
Tia Rata, Poururuku Rāngai Pā Manaaki / GM Pathways and Equity
Geoff Simmons, Te Poururuku Rāngai Taumata Tirotiro / GM Strategy, Insights and Impact
Lynne Stokes, Te Ringa Hanga / Qualifications Development Facilitator
Salatielu (TJ) Taotua, Te Kanohi Ahurea ā Kiwa / Pacific Transformation Lead
Joanne Te Morenga, Te Pā Whakatupu / Vocational Pathways Advisor - Māori
Te Whainoa Te Wiata, Te Kanohi Ahurea / Mātauranga Māori and Te Reo Māori Specialist
Brett Turnidge, Mata Herehere / Relationship Manager
Astrid Visser, Mata Herehere / Relationship Manager
Tim Worth, Te Whatu Hura / Research Analyst
Other research participants (who wish to remain anonymous)
Director and producer, television and digital media
Educator
Game development industry workers (eight)
Graduate, screen school
Industry leaver, game development
Industry leaver, television
New entrant, game development (two)
Producer, career switcher
Recent entrant and editor, film and television
Student, screen school
Student, screen school - final year, career changer
Student, Year 11 (three)
University lecturer